Not something you see everyday outside your office window:
MASS MoCA director Joseph Thompson describes the development of Geometric Death Frequency-14: “Pure data and algorithms based on particle physics served as the primary guiding forces behind the sculpture’s shape, texture and size.”
Assembled from 420,000 robotically milled black spheres, Federico Díaz’s sculpture draws inspiration from a digital photograph of the museum’s clock tower entryway. The artist, who lives in the Czech capital Prague, transformed the two-dimensional image into pure data, then used analytical and fluid-dynamic modeling techniques to reshape the building’s contours into wavelike forms.
“Federico is the ultimate shape-shifter, in a way,” said MASS MoCA director Joseph C. Thompson in a statement. “The bricks and mullions and windows of our buildings become files of digital data; the pixels become black spheres meticulously cut, stacked and assembled; the courtyard becomes and contains sculpture. There’s something alchemical or magical about it, and all the while Federico remains behind the curtain, as if to say, ‘Look ma, no hands.’”
Words and picture via wired.com.